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Blog Entry 6 of 6 SWEENEY TODD Director's notes
SWEENEY TODD is unquestionably one of the greatest musicals of the last thirty years. It is part of a line of Stephen Sondheim masterworks that range from his efforts as a lyricist in WEST SIDE STORY and GYPSY to his composer/lyricist work in FOLLIES, COMPANY, SUNDAY IN THE PARK WITH GEORGE, and INTO THE WOODS. How can a story about a vengeful barber and pie shop proprietress who concoct a plan to kill people and make meat pies out of them possibly be a great musical? The answer lies not in the subject matter but in the music and lyrics of Stephen Sondheim and SWEENEY TODD’s story of oppression and evil perpetuated upon innocent people. The character of SWEENEY TODD is not inherently evil. He is a man who had a joyful life with a wife and baby stolen from him by a corrupt and lecherous judge. Even when he returns fifteen years later he is still seeking to reclaim that life in some way. It is only through events that transpire that he is turned into the “Demon Barber of Fleet Street.” There is a clear chain of events that lead to the violence. And nearly everyone in the story is a part of it. Their own desires – whether for power, for revenge, for lust, or for success, all lead to the final outcome. I have conceived our production specifically for our 136 seat theatre. I hold the original and revival productions on Broadway in great regard but I believe our choices of setting, staging, and instrumentation make this production unique.

Director's Notes - Tick, Tick...BOOM!
Contributed by: MusicalFare Theatre   on 2/26/2007

I had a memorable experience when I first listened to the CD of TICK, TICK...BOOM! I was sitting in my office at MusicalFare as these fresh sounding songs of hope, optimism, and life were spilling out into the room. I was invigorated by the rock music, the lack of pretentiousness in the lyrics, and the honesty of the songs. I was also saddened by the fact that the voice that created this music would never hear it performed by theatre companies throughout the world. Jonathan Larson, the creator of TICK, TICK..BOOM! and RENT, had died of a brain aneurysm in 1996, the night before RENT's first Off Broadway preview. TICK, TICK..BOOM!, which Larson had performed as a one man "rock monologue" in the early 1990's to very limited success, was adapted after his death by the Larson estate and playwright David Auburn and opened with a three member cast Off Broadway in 2001. A very successful London production starring Neil Patrick Harris followed in 2005.

I was born in 1959. Jonathan Larson was born in 1960. So, I guess you could call us contemporaries. As my ten year high school reunion approached, I had a similar experience to the pain and questions that surround Jon's thirtieth birthday in TICK, TICK...BOOM! I was living in New York City, struggling along with trying to make a life in the theatre. I knew my classmates were lawyers, doctors, and engineers and I was an unknown pianist/accompanist/director who mostly temped as a telemarketer. When I graduated from high school I had been voted "Most Likely to Succeed" and the potential embarrassment and difficulty in explaining my apparent lack of career progress compelled me to skip the reunion. I did have a chance to go to my fifteenth reunion when things were going better. But Jonathan Larson never had that chance. He passed away before anything in his life had real value, before he had a "real life." Or did he? Is something only of value if it is successful? Why do we put this pressure on ourselves to live up to society's view of success? These are the essential questions that TICK, TICK..BOOM! asks of us.

I have a strong belief in life after death. As I was sitting in my office that day listening for the first time to TICK, TICK...BOOM! I had a palpable feeling that the spirit of Jonathan Larson was present. How could it not be? His music and lyrics made me smile, pound out rhythms on my desk, question my place in this world. As we went into rehearsal the cast and artistic staff created an atmosphere of camaraderie, imagination and freedom. I like to think that Jon would have enjoyed our process. Maybe he did. So, for Jonathan Larson and for all of us who struggle daily with questions about our own lives, we offer this production. For you, for me, for everyone. I hope you are able to get out to MusicalFare and see it.






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Showing 1 of 1 comments
Submitted By: Ruth Strzelewicz
posted on 3/4/2007 @ 8:07:34 PM
(Not Rated)
As a matter of fact I did get to see the show and I must say it was amazing. Thank you so much for including this great show in your season. I myself am a student of theatre and although I'm not 30, it definately hits home with the struggle of following your dreams even when you and everyone else knows it's the dumbest life chose you can make. Anyway my friends and I will definately be back and in greater numbers. Thank you again. Ruth
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CONTRIBUTOR INFO

MusicalFare Theatre

Amherst , NY

MusicalFare Theatre has posted 6 blog entries and 0 comments since joining on 11/29/2006. MusicalFare Theatre's average blog rating is 5.
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